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Thanks for the Thanks.

There’s been a trend lately where friends have been throwing my name in the acknowledgments pages for certain excellent things they’ve published.

The first time it happened was a few weeks ago, when I saw that longtime buddy Joe Hall mentioned me in the front matter of his heartbreaking (but also invigorating) poetry collection, Pigafetta Is My Wife. Less than two weeks later I got a package in the mail from friend Zachary Watterson containing the latest issue of the Massachusetts Review, which features ‘Insulatus’, Zach’s short essay of very distilled bravery. I turned to the contributors page, and there I was tucked in between badasses Patricia Engel, David Shields, Brian Christian and Charles Johnson.

The feeling, initially, of appearing on those pages is a kind of reactive gratitude for the gratitude, a swell of unnamable pride; not that I had anything to do with the quality contained on that page, but that I was ever able to somehow associate myself with it to begin with.

Joe wrote the earliest version of Pigafetta when I was at work on a terribly tone-deaf nonfiction book about luck. We were were both DC-dwelling fellows in our thesis year at George Mason’s MFA program, and we did not share work. What we did share were long, traffic-choked rides into Fairfax over which we discussed hovering frustrations about the months and years ahead, conversations that carried an itchy, beleaguered desperation that sometimes grew so thick that I lost concentration on the road and nearly steered us into oncoming cars. I always felt about Joe then as I often do about my wife: he tolerated me. The work that ended up in the book — written during the long, humid weeks in between those pained conversations — is something strange and remarkable, sewn together with a beautiful, elliptical severity, and I refuse to believe I had anything meaningful to do with it.

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Last bit of Art Gallery-Related Self-Promotery.

Here’s the mini chapbook I made for the show:

And here’s what the Washington Post said about the exhibit (w/ bonus slideshow):

The sweaty masses packed last weekend’s “Call + Response,” a collaborative exhibition that asked 16 artists to respond to stories by 16 writers, transforming the gallery into a giant, disjointed picture book. Standouts: Magnolia Laurie’s delicate architectural fantasias done in gouache and graphite [...] Another hit: artist Bryan Rojsuontikul, who memorialized TV icon Mister Rogers via minimalist icons Carl Andre (yes, you may step on Rojsuontikul’s linoleum tiles) and John Baldessari (those 1960s text paintings, which Rojsuontikul riffs on). The work is a shout-out to Mike Scalise, author of a story about the Cardiganed One’s indifference to death.

Read a little more at the CP, who had semi-nice things to say about the pairing, and at Roll Call, who was brief but complimentary.

That’ll be it for art gallery-related self-promotery. More news soon.

Call + Response Response

As the people at brightestyoungthings can attest, there were oceans of people at Call + Response over the weekend. It was pretty amazing. They’ve got a bunch of pics. Here are the ones I have anything to do with:

Above is part of the tremendous installation Bryan Rojsuontikul did in response to a cleaned-up and revamped version of this tiny thingy. Below is me, Klam, Joe, and Wade stuck in the thick of the crowd like Waldos. You can see the back of my head.

Next up: the chapbook, coming later this week. More soon.

Two Whole Public Appearances This Week. Worst Hermit Ever.

After four months of solitude and whatnot, this January has me out among the herds in a way that makes me seem far more extroverted than is personally accurate. In the first two weeks of this month I read some new stuff with some pals at 826DC, and lectured a bunch of Hopkins pre-med geniuses about how to write about indelible ailments.

Now, this week, two more appearances. The first one is with my excellent poet buddy Gerald Maa (pictured here with the slick mohawk) at Joe Hall’s reading series, Cheryl’s Gone. It will be my second time taking part this thing. I read at the very first one back in October 2007, a long-winded essay about sink pissing that went over like a lead balloon.

This time I’ll be reading a chunk of stuff I worked on at Bucknell–topics covered: inappropriately-named doctors, obsolescence, shit for brains, and Andre the Giant–so I hope that mix of subject areas will work better this time around. (2/5 update after the jump.)

Then, two days later on 1/23, I’ll be one of about 16 different writers featured at Call + Response, which I wrote about here. The curators have expanded the website with bios and a statement, and put together a press release (PDF) that should be able to tell you all about the situation, which remains very exciting. I have not yet seen what Brian R. has made of my contribution, but when I do,  I’ll throw pics up here.

So, to be clear: come see me read Thursday, or come to this art thing on Saturday. Or both. Adios.

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Call & Response: This Thing I’m Doing With People I Know

Come January, I’ll be taking part in a sort of high-minded thumbwrestling match between visual art and the textual kind called Call & Response, which is being curated by PIKs Kira Wisniewski and William Bert. It works like this: a bunch of writers write some things, and a bunch of visual artists create work in response to the things the writers wrote.

I’m matched with Duct-tape ninja Bryan Rojsuontikul, who’s a fellow at the Hamiltonian Gallery in Northwest DC, where this thing will be held from January 10 - Feb 13. Aside from me, the roster of writers/artists is unstoppably brainshaking: Matt Klam, Sean Carman, Tati Suarez, Joe Hall, Leah Frankel, Danika Stegeman, Mike Dax, Jen Girdish, Gerald Maa, Eleanor Graves and many many others.

11/20 UPDATE: you can follow Call & Response on Twitter here.